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A magnificent work by AFDA Cape Town’s Lara Bye

September 13, 2016 10:16 am

to the director Lara Bye and the performer, Sandra Prinsloo – Oskar en die Pienk Tannie is a play so beautifully crafted with such an astute sense of self, that it will rock your emotional equilibrium.”

Oskar en die Pienk Tannie, a play directed by AFDA Cape Town Live Performance lecturer, Lara Bye and performed by Sandra Prinsloo currently showing at the MonteCasino in Johannesburg continues to get standing ovations and rave reviews.

The production, which has been running since 2013, has won Best Director/ Best Production and Best Actress awards at both the KANNA Awards for the KKNK as well as the National Fiesta Awards.

Lara Bye is an independent South African theatre director, producer, and Live Performance lecturer at AFDA Cape Town who  produces work in English and Afrikaans, from Shakespeare to Opera, in both in theatres and outdoor spaces. As a director/dramaturg committed to developing new South African texts, Lara works closely with writers on the production of new South African plays as well as producing international scripts that resonate with South African narratives.

Youth development and training is also a big passion, and Lara has been involved in many projects through UCT, AFDA, the City of Cape Town, and other forums, working on projects with young theatre makers.

Lara grew up in the Valley of a Thousand Hills in Kwa Zulu Natal and is now settled in Cape Town with her husband, actor Gaetan Schmid and their young son Matteo.

Read the review of Oskar en die Pienk Tannie by Robben Sassen below:

Never forget the smell of roses

Posted by Robyn Sassen

https://robynsassenmyview.wordpress.com/2016/09/10/never-forget-to-smell-the-roses/

LITTLE boy, frightened: The inimitable Sandra Prinsloo is Oskar. Photograph courtesy Montecasino Theatere.

LOVE, LOSS AND growing old are inescapably part of the human condition. Put these three elements in a children’s cancer ward, and you might expect to yield a narrative which is hackneyed and clichéd. Indeed, you already know how the story ends. But in the loving hands of consummate professionals – from the writer, Eric-Emmanuel Schmitt, to the translator Naómi Morgan, to the director Lara Bye and the performer, Sandra Prinsloo – Oskar en die Pienk Tannie is a play so beautifully crafted with such an astute sense of self, that it will rock your emotional equilibrium.

Oskar is a ten-year-old boy. He has leukaemia. Moored in a children’s hospital with a community of friends, including “Popcorn”, “Braaivleis”, “Einstein” and “Blue Betty”, kids with equally scary medical problems, he’s intelligent and sentient enough to understand that his prognosis is not good. But there’s God, who he writes to, and the eponymous “Pienk Tannie”, called Ouma Rosa, a hospital assistant, who tells him tales of women’s wrestling and carves out legends for him to hold onto and laugh at. She’s a little coarse round the edges, but overwhelmingly pragmatic. She takes no shit, has  “passed her sell-by date” and exudes the type of complex humanity you might remember in Julie Walters’s portrayal of Mrs Wilkinson in the 2000 film called Billy Elliot.

Filtered with a deep understanding of language, of human convention and the dramatic emotional extremes and unrelenting egocentricity of a prepubescent child, not to forget the horror of loss, this is an extraordinary work in which the magnificent Prinsloo paints a whole world out there, armed with just a table and some well-managed lighting.

But more than that, this is a one-person play and Prinsloo takes on the fierce vulnerability of the child as well as the gruff love of Ouma Rosa, and the myriad of other characters, with complete candidness. You are never allowed to forget the tragic circumstances of Oskar, but as the work unfolds, you get to hold onto dreamed up legends, which can make 12 days into 120 years, and projects a whole rich trajectory of dreams onto something that in the real world is curtailed and broken by sadness.

And yes, it’s in Afrikaans, but arguably the force of the narrative and the simple complexity of the writing supersedes language barriers and within the first few lines of the play you become so consumed by its magic and texture, that the medium turns universally understandable.

A beautiful six-tissue production, which will leave you with hope in your heart and an imperative to look for wonder the world every single day, Oskar en die Pienk Tannie is a delicate piece constructed with know-how and wisdom, but above all, with uncringing directness.

  • Oskar en die Pienk Tannie is written in French by Eric-Emmanuel Schmitt and translated into Afrikaans by Naómi Morgan. It is directed by Lara Bye and performed by Sandra Prinsloo, at the Studio Theatre, Montecasino theatre complex in Fourways, until September 25. Visit montecasinotheatre.co.za

 

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